DPJ’s Wire series delivers news and information straight from the source without translation.
The University of Arizona, the anchor tenant of the Phoenix Biomedical Campus, and the City of Phoenix have entered into an agreement to expand the university’s presence on the Phoenix Biomedical Campus.
The agreement approved by the Phoenix City Council on Wednesday calls for the university, Banner Health, and any potential development partners, to develop up to five acres on the biomedical campus aligned with the City Council-adopted Comprehensive Master Plan. Included in the agreement is the planning and development of an academic and innovative outpatient primary care clinic that will be designed to advantage all of the new advances and technology to improve patient care. This 40,000 to 60,000 square-foot clinic will be jointly planned and developed by the UA and Banner Health.
“The University of Arizona has been a critical and transformative partner in the development of the Phoenix Biomedical Campus,” said Phoenix Mayor Greg Stanton. “This agreement will move that partnership forward by advancing the academic medical enterprise of the school, advancing science, creating jobs and enhancing medical care for Phoenix residents.”
Leading efforts to develop the biosciences in downtown Phoenix, the UA College of Medicine – Phoenix opened its doors in historic buildings in 2007. Since then, the medical school has graduated more than 250 new physicians and has built close to a million square feet of capital projects on the downtown campus. The UA has invested nearly $450 million in building projects on the campus.
“These new projects will expand the Phoenix Biomedical Campus, enhancing its contributions to both the biosciences and the vibrancy of the Phoenix and statewide economy,” said Ann Weaver Hart, president of the UA. “We are continuing to execute the UA plan of training superior physicians and other healthcare professionals, advancing biomedical research and healthcare practice, and serving our community.”
According to a recent study by Tripp Umbach, the UA’s presence on the Phoenix Biomedical Campus had an impact of $961 million in 2013. In addition, the employment impact for 2013 was 7,185 jobs with tax revenue of $44 million. At full build-out, the UA’s presence is expected to have an economic impact of more than $3.1 billion per year.
The agreement also calls for the City and the UA to develop an updated master plan for the area, focusing on uses, density and proposed development schedules. The City will provide the UA a no-cost exclusive 10-year lease option for development of the property.
“The continued development of this education and biomedical hub is a great catalyst for the citizens of District 8,” said Councilwoman Kate Gallego, who represents the downtown area. “We have seen the area make great strides with the development of the campus, bringing not just construction but permanent jobs in the biosciences to our city.”
The UA’s presence on the Phoenix Biomedical Campus includes the College of Medicine – Phoenix, College of Nursing, College of Pharmacy, Mel and Enid Zuckerman College of Public Health and the Eller College of Management. Additional programs on the campus include Alumni Association, the UA Foundation and Admissions. Additional programs are exploring an expansion to Phoenix.
“Our partnership with the University of Arizona has been crucial to the success of the growing bioscience and medical education hub in downtown,” said Vice Mayor Daniel Valenzuela, chair of the city council’s Downtown, Aviation and Redevelopment Subcommittee. “This agreement demonstrates our commitment to the Phoenix Biomedical Campus and cements our national reputation as a mecca for higher education and biosciences research.”
The UA College of Medicine – Phoenix began in 2007 in the Historic buildings that once were Phoenix Union High School, as well as the Arizona Biomedical Collaborative research building. In 2012, the 220,000 square foot Health Sciences Education Building opened. The UA Cancer Center at Dignity Health St. Joseph’s outpatient center is set to open on the campus in August; while the 10-story Biosciences Partnership research building is scheduled to open by 2017.
David Krietor has served as CEO of the newly-formed Downtown Phoenix, Inc. (“DPI”) since April 8, 2013. In that time, he has begun work with community stakeholders to develop the downtown we want. “Your Downtown” shares his thoughts and DPI’s progress with the downtown community and beyond. Read the other chats here.
First of all, thank you for your feedback and additions to our 2013 “positives” list. The most current list, which grew by several more, can be viewed here on Downtown Phoenix Journal.
And speaking of the media, The Wall Street Journal published an extensive “Guide to the Ultimate Long Weekend in Phoenix” on January 17th. You’ll be proud that numerous downtown and midtown Phoenix locales made the list. Then, look what readers of the New York Daily News saw upon opening their Saturday paper: a Phoenix GRID bike share bicycle on the streets of New York. Word’s getting around.
Now let’s get around to learning about other recent news of note here in our downtown…
What is the latest regarding DPI’s organizational capacity?
Mayor Greg Stanton has appointed District 7 Councilman Michael Nowakowski to the Downtown Phoenix, Inc. Board of Directors. In addition to representing much of downtown, Councilman Nowakowski has a strong background in events and marketing which will be an important benefit to the DPI leadership team. The Mayor also reappointed Cindy Dach from Roosevelt Row Community Development Corp., Tim Eigo from Downtown Voices Coalition, and Kimber Lanning from Local First Arizona as his designees on the DPI Board.
What are some examples of downtown’s economic and cultural vitality?
These next few months are filling up rapidly with an impressive line-up of downtown events and activities. Mark your calendar and get ready for the following:
February: The Mayor’s Super Pool Party, Feb. 2 ~ Infill & Adaptive Reuse in Phoenix: What Pencils?, Feb. 4 ~ First Friday Artwalk, Feb. 7 ~ Phoenix Chinese Week, Feb. 7-9 ~ A Day in the Park, Feb. 8 ~ Willo Home Tour, Feb. 9 ~ Devour Phoenix’s 5th Annual Bartending Competition, Feb. 9 ~ Grant Park Area Development Project Community Meeting, Feb. 12 ~ Arizona Matsuri Festival, Feb. 22-23 ~ Renaissance Phoenix Downtown Hotel’s Birthday Bash, Feb 22
March: Mardi Gras Parade, March 1 ~ Devoured Phoenix Culinary Classic, March 1 ~ Art d’Core Gala, March 1 ~ First Friday Artwalk, March 7 ~ VIVA PHX, March 7 ~ Art Detour 26, March 8-9 ~ St. Patrick’s Day Parade and Faire, March 15 ~ Hance Park Master Plan Final Presentation, March 27 ~ McDowell Mountain Music Festival, March 28-30 ~ KAET Eight’s Check, Please! Arizona Festival, March 30
And here’s one event we just have to focus on because (a) it’s coming up soon and (b) the whole “warm sun versus frigid cold” thing… Bag some rays while watching this year’s Big Game (being played in New Jersey… brrr!) and celebrate the official start of the countdown to next year’s Super Bowl XLIX being played right here in the Valley.
Join Mayor Stanton at his city soiree being held at Hotel Palomar’s beautiful Lustre Rooftop Garden, where you’ll enjoy the usual football fun – high definition, adult beverages, chicken wings, high fives – plus special Phoenix touches like cabanas, ping pong, corn bag, and oh-by-the-way a heated pool. Party starts at 2 p.m. Kickoff at 4:25 p.m. Admission is free, but seating is limited (around 300) so come early. And remember your sunscreen.
Leadership and advocacy are critical elements of effective community development. Where do you see this occurring?
Things, development-wise, are buzzing. The hive @ central co-working space opened at Burton Barr Central Library and the ASU School of Art Grant Street Studios opened in the vintage Levine Machine Building in downtown’s Warehouse District. Both events were extremely well attended and indicators of positive things to come.
The U.S. Environmental Protection Agency Administrator, Gina McCarthy, visited Phoenix a few weeks ago and toured places and projects demonstrating Phoenix’s commitment to a more sustainable city. McCarthy’s favorite stop was Grand Avenue, not only for the excellent piece of pie she enjoyed at Bragg’s Factory Diner, but because the recent streetscape improvements from Seventh Avenue to Roosevelt along Grand emanated from recommendations outlined in the EPA’s Greening America’s Capitals grant awarded to Phoenix in 2011.
With the economy picking up, the California-based Hansji Urban is progressing with its $80 million, 19-story Luhrs City Center Marriott to be situated at the northwest corner of Madison Street and Central Avenue. In the mid-2000s, the City of Phoenix allowed for the demolition and development of the 1912 Luhrs Central building (where the Marriott Courtyard and Residence Inn are slated to go) in order to protect and renovate three other historic buildings on the same block – the 1924 Luhrs Building, 1929 Luhrs Tower, and Luhrs Post Office Station and Arcade in-between the two taller structures.
Across the street, at the southeast corner of Jefferson and Central there’s movement afoot to revitalize the 1915 Jefferson Hotel (now known as the Barrister Building and former home of the Phoenix Police Museum and several city departments). Last fall, the Phoenix City Council voted to conduct a formal bid process to sell or lease the building with a conservation easement to maintain the historic facade. Valued at approximately $1.5 million, the building will be put on the market in the next few months by the City. Potential future uses could be a hotel, restaurant, retail shops, or offices.
The Phoenix City Council approved the proposed mixed-use new construction project on two vacant city-owned parcels and the renovation and adaptive reuse of the historic Leighton G. Knipe House, all situated on North Second Street, between Roosevelt and Portland Streets. After additional community feedback, Roosevelt Housing Associates, developers of “The Row,” modified their initial proposal to develop approximately 15-20 percent of the housing units as market rate, with no age or income restrictions; require all tenants to sign an affidavit acknowledging they are moving into a vibrant arts district; develop the street-level units as live-work artist studios; actively market the project to artists; and dedicate a portion of the common area space for local artists to prominently display their works. With City Council approval, the developer and City staff will continue to work with neighborhood groups through the design process.
January has also brought out the urban planner in all of us!
The Roosevelt Row CDC recently completed its report, “Roosevelt Row: Artists’ District, Creative Placemaking in Downtown Phoenix,” and will begin a series of public forums to discuss the findings and outline next steps.
The Phoenix Center for the Arts hosted a well-attended community forum on commercial district revitalization, focusing on Roosevelt Row, Grand Avenue, and downtown Mesa. (Yes, downtown Mesa.
Steps being taken by developer Feliciano Vera to involve community members in visioning his proposed mixed-use development project in downtown’s warehouse district was the subject of a Marketplace radio segment aired over 500-plus public radio stations nationwide.
Lauren Allsopp, Ph.D., faculty associate at ASU’s School of Geographic Sciences and Urban Planning, is conducting an urban design workshop focusing on downtown’s warehouse district. The class is researching the district’s storied history, past developments positive and negative, and recommendations for the future.
The Hance Park Master Plan Design Team presented its interim design plan to a packed house at the Phoenix Art Museum. The final design plan will be unveiled on March 27 at a Hance Park Festival featuring live music, food, beer garden, and fun activities for young, old, and in-between.
In closing…That’s enough for now. Well, I take that back. Here are a few other things we found online that you’ll find interesting: downtown’s multitude of Best Of winners, co-working and makerspaces popping up in and around downtown, a birds-eye view of the Ground Cover Public Art Project installation (pictured above) and this fun time lapse video of downtown buildings and streetscapes.
Before you hit the sidewalks for the 25th anniversary Art Detour this weekend, we’re revisiting artist, writer, and advocate, Susan Copeland’s overview of the impact the arts have had in our downtown – originally published in the Nov/Dec 2011 edition of Downtown Phoenix Journal Magazine. Her article provides extra background for appreciating Artlink’s “Detour in Time” exhibit at the A.E. England gallery, open this weekend for First Friday, and Saturday and Sunday for Art Detour.
What is it about Downtown Phoenix that interests a college student, a developer, a cyclist, a chef, an artist or an engineer?
It’s the energy on the streets and the buzz in the cafes. It exists in every coffee-house conversation, every stroll down a newly shaded street, at any art opening, and in the first bite of sushi. It’s the young couple with the stroller, baby and fuzzy dog walking after dark. It’s the lunchtime food truck queues, the thunder of balls in the bowling alley, and the smell of fresh peaches at the market. Engaged people are creating new life in downtown Phoenix and the evidence can be seen, heard, felt and tasted.
This buzz is firmly rooted in the creative community that has worked for many years to bring downtown to life. It is evident in the history of the arts-led transformation of downtown, and how it has fueled revitalization and overcome the obstacles that challenge the continuation of this transformation.
Early Urban Arts Pioneers
The roots of this transformation can be traced through the history of Beatrice Moore and Tony Zahn, who came to Phoenix sight-unseen in 1986. They were drawn by the optimism behind the city’s name, the desert and the non-hip art scene. They created the very first Art Detour, an annual tour of artists’ studios with a small group of 20 art spaces. “It was a way for artists to show their own work independent from galleries. It was an educational event for the public,” Moore said.
“[Art Detour] was a way for artists to show their own work independent from galleries.”
— Beatrice Moore, GAMA
Moore and Zahn watched gentrification take place, often spurred by the unwitting ability of artists to make a place cool. Their first artist studio was in an old brick warehouse on the site where U.S. Airways Arena now stands. A new jail occupies the site of their second studio. Recognizing that a renter’s fate is determined by his landlord, they bought their first building.
“Artists need to get ownership,” Moore said. “Young artists are not planning for their future. New construction is often not affordable for studio space.”
Their purchase and renovation of historic buildings along Grand Avenue not only created affordable artist studios, but also helped to transform a formerly decrepit downtown stretch of boarded-up buildings into a revitalized corridor that draws thousands of people to art openings, studios, a growing number of bars and restaurants and the annual Grand Avenue Festival.
“It is a diverse and younger crowd, and has introduced a lot of new folks to the museum.”
— Jim Ballinger, Phoenix Art Museum
A Detour Takes Hold of Fridays
The success of the yearly Art Detour led another group of artists to start a monthly tour called Phoenix Arts After Hours. This gave birth to the nationally lauded First Friday, a self-guided tour of art spaces and galleries held on the first Friday of every month. It has become the core of the downtown arts scene.
The Phoenix Art Museum has participated in Artlink’s First Friday art walk on and off since its inception. “We’ve had a very positive connection with First Friday,” said museum director Jim Ballinger. “We’ve had anywhere from 800 to 2,000 people come through the museum on a First Friday evening. It is a diverse and younger crowd, and has introduced a lot of new folks to the museum.”
Would there be as many new restaurants, condos, galleries and hotels downtown without the presence of 10,000-plus people wandering around downtown on First Friday? The presence of the creative community has brought life, vitality and identity to downtown.
“The easiest way to find a community in Phoenix is to participate, get involved.”
— Cindy Dach, Roosevelt Row CDC
The Row Takes Shape
When Cindy Dach and Greg Esser moved here from Denver, they struggled to find a community. Eager to renovate and without any appealing living spaces available, they began an odyssey. Fifteen years, several buildings and many projects later they helped make Roosevelt Street a cornerstone of the downtown arts community. “The easiest way to find a community in Phoenix is to participate, get involved,” says Dach. That they have. They formed the successful eyelounge and 515 artists’ collectives, MADE Art Boutique, Kitchen Street Studio and the Roosevelt Row Community Development Corporation (CDC).
Wayne Rainey, Kimber Lanning and Dach/Esser all bought buildings and created art spaces within six months of each other. The prices were low enough at the time to make the spaces affordable. Dach says that artists are natural problem solvers. “We looked at the closed up buildings and dark spaces and said, ‘Yeah, this sucks. How can we fix it?’”
“It’s the small things that form the connective tissue that makes the big things work.”
— Ed Lebow, Phoenix Public Art Director
It is this type of creativity, community involvement, forward thinking and innovation that many people believe will move Phoenix forward. Ed Lebow, Public Art Director for the City of Phoenix Office of Arts and Culture, says, “It’s the small things that form the connective tissue that makes the big things work.”
Small ideas yielding big results are creating an organic identity for downtown today. The little farmers’ market that grew into a grocery store, coffee house, wine bar and community gathering space is another perfect example.
Chicago transplant Cindy Gentry fell in love with the historic Santa Fe Depot in the warehouse district near Jackson Street. Her goals were to create easy access to healthy food for low-income residents, help keep farmers on their land and create jobs. “Our focus was on low income people but we didn’t want to do it in a vacuum,” Gentry said. “We wanted to create a place where people from all backgrounds could come together.”
She was drawn to downtown because “the creative energy of the city lies here. A connection to the arts community was a logical choice.” Although the Santa Fe Depot market never happened, Gentry [as executive director of Community Food Connections] did create the Phoenix Public Market, a grocery store and a thriving farmers market, with a strong emphasis on organic produce and handmade crafts, that anchors Saturday mornings downtown. Says Gentry, “The creative energy that is here in Phoenix is looking for places to get out.”
“The creative energy that is here in Phoenix is looking for places to get out.”
— Cindy Gentry, Community Food Connections
That creative energy is apparent in the art-centric downtown development of developer and indie rocker Tim Sprague, of Habitat Metro. Two of his current projects are the adaptive reuse of an old hotel, the Oasis, to create affordable living and work spaces for artists, and, most recently, a remodeling of the Lexington hotel that centers around arts and culture.
“Humans have talent that we should recognize and celebrate,” Sprague said. “Performing arts, music, media, theatre – they are the spice of life. Art has the ability to bring people together to initiate discussion. It’s an automatic switch for turning on tolerance and bringing together diverse ideas.”
“The organic arts scene that developed brought focus to the downtown,” he said. “It provided the cushion and continuity for things to keep happening. It brought traffic and people downtown that would not have come. It made downtown relevant.”
This ability of the artistic community to create relevance and continuity was evident to George Kritikos and his wife Stacy, who left Chicago to buy and take over the Athenian Grill, a Greek restaurant on Central just south of Roosevelt. Kritikos believes that the arts community is good for the area. Historically, he watched how the arts helped in the transformation of downtown Chicago from a scary dark place. “(Mayor Richard) Daly cleaned up the streets. There was artwork, painted cows, landscaping, lighting. All of it together helped take away the scary aspect of the streets. Then coffee shops and restaurants starting popping up.”
“The organic arts scene that developed brought focus to the downtown. It provided the cushion and continuity for things to keep happening. It brought traffic and people downtown that would not have come. It made downtown relevant.”
— Tim Sprague, Habitat Metro
Filling the Gaps
The biggest stumbling block to this transformation in Phoenix may be the empty lots that divide all of the cool, hip things from each other. When you look down First and Third streets at night, south of Roosevelt, it is dark and scary. People are afraid to walk north from the Sheraton and Alta Lofts.
But the creative community is working on a solution for that too.
Many temporary uses for empty lots have been proposed, but shot down for fear of them becoming too popular and permanent – leading to a potential for public outcry when the temporary project has to make way for a permanent structure. Nevertheless, two artistic uses have recently been implemented.
On Roosevelt near Fourth Street, the Roosevelt Row CDC, has cleaned up, dust-proofed and put temporary lighting in an empty lot to create the First and Third Friday A.R.T.S. (Adaptive Reuse Temporary Spaces) Markets, giving small local vendors the opportunity to become part of the popular art walks. Small booths dot the lot twice each month selling everything from ice cream to hand-crafted wood items.
A few blocks southeast of the A.R.T.S. Market is Valley of the Sunflowers, another Roosevelt Row temporary adaptive reuse project, which broke ground in September, and will feature an entire block of sunflowers. It is the brainchild of Kenny Barrett, downtown resident and newly appointed project director for Roosevelt Row’s A.R.T.S. program. With grant funding from Intel and volunteer support from the community, the project will produce sunflower oil that the students at the adjacent BioScience High School will help harvest. They will then use the oil to run the biofuel car that they are creating.
As little as it is, the Valley of Sunflowers project may just be one of the most important projects in downtown Phoenix in the past 10 years. It has brought together young people, artists, engineers, developers and the city to create a project that is sustainable, creative and breaks the boundaries of what it is possible to accomplish in downtown Phoenix. Most importantly, it removes the barrier of fear and apathy toward addressing the problem of the empty lots.
It is easy to see why a college student, a developer, a cyclist, a chef, an artist and an engineer would be drawn to a place like Phoenix. The vibrancy and buzz that created places like Paris, Chicago and Portland are in their infancy here. Phoenix will not recreate or become any of those places. It is creating its own identity. It is growing organically because people want this sustainable lifestyle. More and more people are choosing an authentic experience: enjoying coffee and a crepe at JoBot; shopping for handmade one-of-a-kind items at MADE; finding organic locally grown produce at the Public Market; mingling with neighbors at Faces, Places and Spaces amidst the art at Bragg’s Pie Factory; or lingering over a late night imported beer at Carly’s. If none of these places and events are familiar, then you are missing out on the core of the new Phoenix.
Hugo Medina is a force to be reckoned with; he’s not just a talented muralist and the winner of the Public Art Award category in the newly announced Mayor’s Arts Awards, he’s someone who can rally a community and make things happen.
In this case, that “something” is an extraordinary public mural that will emerge over this weekend at the inaugural Phoenix Festival of the Arts. The mural will be extraordinary in both size and scope and it took a dynamo like Medina to make it all work.
Using Facebook, Medina put out a call to artists to participate in the project. “I wanted a diverse group of artists to get involved,” said Hugo. “Everything from accomplished muralists, to fine artists, students, graffiti artists, and novice painters.” Over 80 artists responded to his call.
Medina’s concept created a simple but elegant way to bring artists into contact with each other and the public. Each of the 80 artists will have a 4’ X 8’ wooden panel (donated to the festival by Home Depot) to make their own. In between each artist panel will be a blank panel where the community will be invited to participate. The two artists working on either side of the blank panel will collaborate on an idea for the community to realize.
This allows for each artist to make their own work, but also gives artists who may have never met previously the chance to work together. The only restriction on the work is that it not be negative and that it is in some way focused on Downtown Phoenix. By placing the blank community panels between the two artist panels, Medina is hoping that a natural flow will develop from one panel to the next.
The mural will be completed during the three-day festival and when done, will consist of 160 four-foot high panels, stretching for 1,280 feet. There will be several mural stations throughout the festival where the public can watch the artists work, or grab a brush and participate. Everyone is invited to lend a hand and make their mark, including kids.
Bring the whole family down to Hance Park this weekend to the Phoenix Festival of the Arts to make your mark on this unique public art project that is bringing artists and the public together to create something everyone can be proud of and enjoy.
“Come Monday morning, I’ll be working with the City of Phoenix to pack up the panels and move them to the corner of Central and Indian School,” said Medina. This is the new PHX Renews site at Indian School Road and Central Avenue; a large empty space that has been activated into temporary multi-use public space. “I’ll curate the placing of the panels around the park,” he continued. “Some will be placed along the fence to make them visible from the street, and others will be scattered along the paths within the fenced space.” The panels will remain at the site for the next three years.
If you go:
Event: Community Mural at Phoenix Festival of the Arts
When: Friday, Dec 7 through Sunday, Dec 9
Times: Friday 2 to 9 p.m.; Saturday 10 a.m. to 9 p.m.; Sunday 10 a.m. to 5 p.m.
What’s required: Your creativity. Paint, brushes and wood panel canvasses will be provided.
DPJ’s Wire series delivers news and information straight from the source without translation.
Mayor Greg Stanton will present the first-ever “Mayor’s Arts Awards” at the Phoenix Festival of the Arts this weekend.
Stanton launched the awards to highlight the cultural richness of Phoenix and recognize excellence from the visual and performing arts in the community. A panel of distinguished members from the arts and culture areas selected awardees in five categories based upon excellence and community impact.
Stanton will present the awards Saturday, Dec. 8 at 1 p.m. on the main stage at the Phoenix Festival of the Arts at Margaret T. Hance Park, 1202 N. 3rd St. in Phoenix.
“Arts and culture are vital to the social and economic well being of our city,” Stanton said. “They improve our quality of life, uplift our spirits and help attract and keep talented employees and innovative businesses in Phoenix. The Phoenix Festival of the Arts is an important opportunity for all of us to celebrate the breadth and depth of the arts and culture community in Phoenix.”
The winners of each category include:
Dance Organization Award
Scorpius Dance Theatre
Formed in 1999 by choreographer, Lisa Starry, Scorpius Dance Theatre is observing its 11th season in operation. The contemporary dance company has been a constant presence in the metropolitan Phoenix arts community since its inception, combining the motifs of humor, drama and both organic and technical movement to form a very distinct brand of dance theater.
Music Organization Award
Downtown Chamber Series
The Downtown Chamber Series brings chamber music to distinctive art spaces in downtown Phoenix, showcasing professional musicians and the works of local artists.
Public Art Award
Born in La Paz, Bolivia, Medina immigrated to New York as a child, where his interest in art was fostered by his architect father. While completing his undergraduate work in New York, Medina volunteered to teach classes at a summer program at the Kumayya Indian reservation in San Diego, Calif. His experience at the reservation is what led him to become an art teacher. Hugo’s desire to give back to the community and his love of children led him to a teaching career. Medina’s great appreciation and admiration of the southwest brought him to Phoenix, where he has been the mastermind behind some of the city’s best murals.
Rising Youth Theatre
Rising Youth Theatre is Phoenix theater company founded by ASU grads Xanthia Walker and Sarah Sullivan to create youth driven theatre that is riveting and relevant, challenging audiences to hear new stories, start conversations and participate in their communities. Recently, the diverse company of students has created plays based on immigrant youth.
Visual Artist Award
Grigsby, 94, came to Phoenix following World War II to teach art at Carver High School. He joined the faculty at Arizona State University in 1966 and served as a Trustee of Phoenix Art Museum. His public collections are on display at the Metropolitan Museum of Art and the Printmaking Workshop in New York City, the Library of Congress, the Cape Coast Museum in West Africa and Philadelphia’s Brandywine Workshop, as well as art centers and galleries in leading universities and public venues across the nation.
This weekend’s Phoenix Festival of the Arts runs from Dec. 7 to 9 at Hance Park and is the city’s first signature arts festival. The free event features three days of live entertainment, arts vendors, a hands-on community mural, food trucks, Kidz Korner and more. Celebrate artists and arts organizations from across Phoenix’s cultural landscape. Hosted by Phoenix Center for the Arts and sponsored by Lou and Evelyn Grubb, this free festival will become an annual tradition.
Image of Eugene Grigsby by Dee Dee Woods