Phoenix families are invited to get out of the heat and enjoy a day of art and culture in downtown Phoenix.
The First Annual monOrchid Family Day event will take place Saturday, July 27, from 10 a.m. to 2 p.m. The gallery is currently showing a summer group exhibition entitled “Thermal PHX,” which features a variety of art suitable for every age.
“At monOrchid we feel it is essential to provide the community with amazing art and events…to engage the community,” said Nicole Royse, monOrchid Associate Curator.
The scheduled festivities do just that, beginning with kids yoga, interactive arts & craft tables, plus live painting by artist Jayme Blue who is also featured in exhibition.
There will be live music by members of Tres Lunas and food donated by Carly’s, Pallets, Urban Cookies Bakeshop, and Brilliant Sky Bakery.
Local author Heather Tad will do a live reading of A Tale of a Tombstone, Arizona Tortoise, a book illustrated by her husband local art Tad Smith.
If you want to take home a souvenir to remember the day, Hip Veggies will be selling “A Pear to Remember” tote bag designed by local artist Rafael Navarro (see it here). The sales will benefit the residents of the Westward Ho.
If you go
What: First Annual monOrchid Family Day
Date: Saturday, July 27, 2013
Time: 10 a.m. to 2 p.m.
Location: monOrchid, 214 E. Roosevelt St.
Our last When Brains Collide meeting subject “In a Rut” brought together several artists and non-artists to discuss the frustration of not knowing what to do next. We huddled in the cool and dark Cartel Coffee on the hottest day in years (119º, to be exact) and managed to come out of the meeting with some new ideas to move forward.
One of the biggest suggestions? Do anything. Just start something, even if it doesn’t seem like a thing you can see through to the end. Do something completely different, start some drawings, try a performance, doodle—just be in a space where you can devote time and energy to creating something, even if it ends up not being that productive. Something eventually will happen, right?
The next biggest suggestion was to get out and see what others are doing. Travel. Inspire yourself, or, if you don’t see anything you like, push yourself to do a better job than what you see. Several of us have checked in after the meeting to see where we’re at with our work and we’ve all managed to begin to crawl out of that rut.
Next When Brains Collide: “Things Don’t Work”
Working with technology in your latest project and running into problems? Trying a new computer program and not yet getting the hang of it? Making a foray into video and not sure where to start or what to start with? Worked with multi-media for years and would love to lend a helping hand? Maybe we can help each other.
This next meeting welcomes anyone who has extensive knowledge of using technology in their work or those newbies who have started tinkering but have run into a wall. There’s only so much you can find through searches on the internet and discussion forums often end up being nerds slinging insults and impatient questions at each other. If you’d rather discuss your issues in an environment where it’s ok to not know, please come to the next When Brains Collide on Saturday, July 27, at 12 p.m. at Cartel Coffee on 1st Street and Washington.
All are invited: designers, artists, performers, writers. The more diverse the crowd, the more diverse suggestions we can make.
If you go:
Event: When Brains Collide
Date: Saturday, July 27, 2013
Time: 12 p.m.
Location: Cartel Coffee, 1 N. 1st St. (corner of Washington and 1st St.)
This is definitely it. This is the last of it. A few cool soft breezes at night with the windows open will taunt you in your memory a week from now. Soon we’ll be closing the blinds and hissing at the sunlight like trapped vampires. It goes by many names but I like to call it “underwear weather.” More traditionally, it’s called summer. And, as every good Phoenician knows, summer begins in May.
Years ago, it used to be that once May rolled around, all of the art spaces in downtown Phoenix that didn’t have functioning A/C or swamp coolers would shut down for the summertime and stay closed until re-emerging in October. Now, considering the vast amounts of Facebook event invitations I’ve been getting, this tactic is no longer the case. Either art spaces have suddenly come across a windfall of cash or people in town are more willing to brave sweating together in a small room for the sake of seeing art.
While venues like Lawn Gnome, The Trunk Space, Frontal Lobe and Crescent Ballroom seem to have plans scheduled deep into the beast that is high summer in Phoenix, I see this time of year as having an additional advantage.
All good work needs time and focus to develop. With a self-imposed sun and heat quarantine, the summertime in Phoenix is the perfect time to think, read, write, develop, plan and scheme all of the ideas there was no time to focus on while friends were luring you out the door for beers on a patio or a hike in the mountains. The winter weather here can be blissful but is really not conducive to hours of concentration. I find myself staring longingly out the window and cursing our American workaholic existence.
When staring out the window means being blinded by a high noon reflection of the sun or witnessing a sweaty individual finding a sliver of shade to wait for the bus, the prospect of hiding indoors seems much more inviting. Living in such a unique environment, we must take advantage of the odd variances of this place.
Starting right now, you have five months to work on your grand plan. Instead of going stir crazy and disgusted with the sight of four walls, an entirely new project could be born. Most of the time, people don’t discover the benefits of focus and development. It can be ugly. Starting off is always a struggle of the conscious as it battles to defeat the beginnings of any idea. But this time, with fewer distractions, instead of saying no to the idea, you can say yes.
Philosopher Hannah Arendt wrote that philosophy is useless in the practical world without action that could take the form of writing or spoken words. Simply by stepping forth with the ideas in your head and putting them in to reality, we change the make-up of our world and begin participating in life.
So, although you might be sitting in your dark cave space, blinds closed, fan on, a/c set at 82 degrees so you don’t break the bank, and limiting contact with the “outside” world, you may ultimately be taking a greater part in it.
Once September or October approaches, emerge from your cool dark place and share your results with the city. If all works out, we should see some pretty amazing and weird work and maybe even some projects that expand on the conceptual groundwork that was created the previous year. Summer is the time to hibernate, develop and grow. Take this time to walk around in your underwear and see what’s possible.
Frontal Lobe, Go Joe show, May 24
Lawn Gnome Publishing, Sole: No Wising Up, No Settling Down Tour, June 18,
The Trunk Space, event calendar for June
Crescent Ballroom: Sea Wolf, June 17, Melvins, July 12
Music and art—they seem to go so well together. It just sort of rolls off the tongue: musicandart, artandmusic.
For some of us in grade school, they were even taught at the same time and maybe even by the same teacher. If you were good at one, there was a good chance you might have been good at the other.
Then maybe you go to college, or maybe you don’t, but either way a person ends up traveling down a path that is predominantly music OR art. Somewhere in this process, a person might keep ties to both and some people even manage to integrate it seamlessly with the work they do, but most lean to one side or the other.
The artist stares longingly at the violinist, remembering what it used to feel like to labor over a solo. The violinist attends art openings to vicariously sense the feeling of creating a new body of work.
How did we become so separate?
I will admit that I am one of those people. I used to play flute and bass guitar and believed that I could really be amazing at both music and art but at some point, I felt I had to choose to make one or the other better or risk being mediocre at both. The word “dilettante” kept jumping to mind.
Maybe this explains a phenomena I have troubling understanding in our sunny city: the Grand Canyon of a divide between the art and music communities. I discovered this after meeting my partner who came from a music background into multi-media artwork. It seemed like a natural progression. I assumed we would have a lot of friends in common. But, it turned out that we knew virtually none of the same people. How could this be?
Artists and musicians share a lot of the same struggles: attempting to make a living while doing the thing you’re good at; fitting in time to practice while managing the making a living part and all of life’s other sundries; determining whether to go the more commercial or more independent route; and fielding all of the inquiries from family members/friends/acquaintances about what you really do. It seems we’d have a lot to talk about with each other.
It also seems as though we’d have a lot to collaborate on. While we’re working at putting together new multi-media pieces and staging impromptu events in vacant lots, members of both communities could step outside of their familiar zones and try something that lands in the middle. In the process of brainstorming, we might even realize that our creative processes are very much the same. John Cage, Merce Cunningham and Robert Rauschenberg collaborated often in the 1950s to 1970s, generating multi-faceted pieces that would have been very different had they been coming from a solo perspective.
Mingling of these worlds surely occurs from time to time but, as both communities struggle for audiences, respectability and a place in the cultural landscape of Phoenix, we could benefit from joining forces more often. Each group brings its own audience that is likely unknown to the other’s. By intertwining mediums and people, we broaden the artistic landscape for both. Downtown Chamber Series has managed this successfully with their performances that take place at various art spaces downtown. They can promote the show and their own concert—promising their audience a dynamic experience that they may not have sought out alone. Before long, both audiences could potentially double while also adding something new to our experience of culture here.
Closing the gap between these two worlds doesn’t have to mean jumping to the other side. It could simply mean acknowledging that we’re both really after the same things. We’re not so different, after all.
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There are just a few seats left! Reserve your spot on the Third Friday Collectors Tour on January 18!
Artlink’s Third Friday Collectors Tour returns on Friday, January 18, and includes three of downtown Phoenix’s most acclaimed galleries.
The participants will have a private viewing and the opportunity to meet the artist(s) and curators one-on-one, and learn more about their processes and vision.
The exclusive guided trolley tour will include:
- Bentley Gallery – “Mark Pomilio / Jeremy Thomas,” a delightful exploration of nature’s geometry, with Curator John Reyes and Mark Pomilio.
- monOrchid – Introducing new Curator Justin Germain with artist Linda Ingraham’s unique project “Off the Beaten Path: A Departure From The Norm,” and Matt Dougan’s personal retrospective “As the Crow Flies.”
- Willo North Gallery – “Youth: New Work by Bob Adams” with Bob explaining his inspiration to re-enter the world of solo gallery shows after two decades.
The tour will be hosted by Robrt Pela, Willo North curator and arts critic for Phoenix New Times, whose NPR “Morning Edition” radio essays are occasionally themselves the talk of the town. Pela will provide context on the contemporary art scene in downtown Phoenix and background on the artist spaces and galleries on the tour.
Event: Artlink’s Third Friday Collectors Tour
Date: Friday, January 18
Time: 6 to 9 p.m.
Where: Phoenix Art Museum, 1625 N. Central Ave. Phoenix. The trolley will depart promptly at 6 p.m.
Tickets: $35 per person, $50 per couple. Seating is limited. Light refreshments provided. To reserve your seats please visit http://collectorstourphoenix.eventbrite.com/.
About the Host:
Robrt Pela is known primarily as an arts critic for Phoenix New Times, where he has written a weekly columnthese past 22 years. His radio essays air each week on National Public Radio’s “Morning Edition,” and he’s worked as a writer and editor for national and local magazines including Psychology Today, The Advocate, Phoenix Home and Garden, and Men’s Fitness. His last published book was Filthy, a biography of the film director John Waters.
As a curator, Pela presents a new exhibit each month at Willo North Gallery in Phoenix. Last year he curated shows by, among others, Annie Lopez, Jeff Falk, Jason Hill, Janet de Berge Lange, Paul Wilson, Carolyn Lavender, and Bob Adams. He and his spouse, Todd Grossman, divide their time among their homes in Phoenix, Arizona; Niles, Ohio; and Bargemon, France.