In several past articles I have discussed the potential of Phoenix’s art community, growing, adapting, taking risks, trying something weird and questioning the content of their work. Upon review, they seem to have laid the foundation for some so-called New Year’s Resolutions.
There is something about New Year’s Resolutions that doesn’t sit well with me. However, I get that it helps to have a single day in the year to pinpoint a moment of change and renewal. And for the arts community, it’s a time when we can collectively support each other in the concept of trying something new.
One thing that can tend to often linger in an artist’s mind is “What is next?” What’s the next project? What’s the next idea? Where is the next source of inspiration? (What is the next paid job?) Sometimes, we can find ourselves at a standstill and will lean back on familiar territory that has given reliable results but may, in the long run, not be entirely satisfying.
Instead of relying on these usual tactics, we can find artists from around the world creating incredible works that we never knew existed. A random internet search for something like “installation artist plants electronics” can locate a project on a plant city or real-time 3-D plant sculptures. When in a rut, finding works like these could inspire a new direction or, in the very least, open up our eyes to a vast world of creative people with complex ideas that are being put into action. I personally like to find new resources like Empty Kingdom, Hyperallergic or even something like Phoenix New Times’ (Claire Lawton’s) 100 Creatives to do some of the legwork for me and package it all in a nice, clean format.
Although a lot of people resolve to learn something new (a new language, how to fix their car, how to fingerprint someone) maybe, for the artist, the idea is to resolve to do something new.
Instead of just painting or photographing a different subject, the artist might resolve to create work using different materials and applying completely different rules. Or, completely break any rules about what is being created (this is our art and we can do whatever we want, right?) and don’t be concerned about whether or not it gains approval.
One resolution I’d like to see take place in the art community (and, well, anywhere) is to stop being concerned about whether what we’re doing fits in anywhere or makes sense to anyone. Even if a major component of creating artwork is communication, a person can’t communicate properly if she is always trying to figure out what the other person wants her to say.
This is the time and 2013 is the year – and all we have is now. There’s no better time than the new year to be clearer about what you’re doing and begin confusing the hell out of everyone else.